New Listening by Jan Marten de Vries

Jan Marten de Vries New ListeningHet ORGEL 103 (2007), nr. 6, xx-xx [summary] Interest in the organ is decreasing rapidly, leading to the question of when and where the organ can still be used. The author makes a case for a new approach which he calls ‘new listening’....

New approaches to improvisation and composition by Willem Tanke

Willem Tanke New approaches to improvisation and compositionHet ORGEL 103 (2007), nr. 6, xx-xx [summary] At the International Organ Symposium Rotterdam 2007 Willem Tanke presented improvisations and compositions of an innovative character, that were inspired by...

Adriaan Engels (1906–2003) by Johann Th. Lemckert

Johann Th. Lemckert Adriaan Engels (1906–2003)Het ORGEL 103 (2007), nr. 1, xx-xx [summary] Adriaan Engels, born in Haarlem in 1906, first studied organ with George Robert, organist of the St.-Bavo church in Haarlem, and music theory with Leo Smit. Later he studied at...

New directions in organ art by Willem Tanke

Willem Tanke New directions in organ artHet ORGEL 103 (2007), nr. 2, 17-23 [summary] The Art of Doing Nothing is the name of a research project that Willem Tanke is carryingout for the World Music Research Group of Rotterdam Conservatory. It aims at improving mental...

The organ works of Petr Eben evaluated by Jan Hage

Jan Hage The organ works of Petr Eben evaluatedHet ORGEL 103 (2007), nr. 2, 24-34 [summary] The Czech composer Petr Eben is seldom mentioned along with leading composers of modern organ repertoire like Messiaen, Ligeti, Kagel, Berio and Xenakis, but his organ works...