Pieter Dirksen The Authorship of the Prelude and Fugue in f minor ( BWV 534)Het ORGEL 96 (2000), nr. 5, 5-14 [summary] Though thesources do not support a clear attribution, and despite several unusual features, the19th-century attribution of the Prelude and Fugue in f...
Joris Verdin The organ: fit for expression?Het ORGEL 96 (2000), nr. 5, 15-23 [summary] Dynamic and agogic aspects play a major role in 19th-century expression. In thisarticle the first one of these is explored. Based on investigation of periodliterature we conclude...
Eddy Mul Buxtehude’s Passacaglia in d: liturgical music?Het ORGEL 96 (2000), nr. 2, 12-13 [summary] Based on sources such as Luther’s explanation of theMagnificat, Werckmeister’s Musicalische Paradoxal-Discourse and the Hamburg ChurchOrdinance of...
Jan-Piet Knijff An interview with Gustav LeonhardtHet ORGEL 96 (2000), nr. 5, 27-30 [summary] Gustav Leonhardt(1928) is one of the most influential harpsichordists of the 20th century. He has taught countless young musicians. As an organist, Leonhardt is far less well...
Peter van Dijk Discussion about organ Der Aa-kerk Groningen continued Het ORGEL 96 (2000), nr. 2, 14-24 [summary] On 17 December 1999, thecity of Groningen decided to uphold its permission to change the main organ in the DerAa-kerk at Groningen (Schnitger 1702, Timpe...
John Terwal Ansgar Wallenhorst wins international improvisation competitionHet ORGEL 96 (2000), nr. 5, 34-43 [summary] On 4 and 5 July the 43nd edition of the International Organ Improvisation Competitionon the world-famous organ in St.-Bavos at Haarlem took place....
Peter van Dijk Organ culture in Stralsund and Tallinn Het ORGEL 96 (2000), nr. 2, 25-29 [summary] In Stralsund (Germany), the famous organ in the Marienkirche drawsour attention. It was built in 1659 by Friedrich Stellwagen. It’s not in originalcondition, but...
Jan Smelik The new Evangelical HymnalHet ORGEL 96 (2000), nr. 6, 37-40 [summary] Recently, the Dutch Evangelische Liedbundel (Evangelical Hymnal) waspublished by the Evangelisch Werkverband. Apart from repertoire in thetradition of the church hymn, the book...
Jan-Piet Knijff Fish, chips and organs (interview with three young organists) Het ORGEL 96 (2000), nr. 2, 30-34 [summary] Jan-Piet Knijff interviewed three relatively young Dutchorganists about the way they try to make their concerts interesting to a larger...
Ibo Ortgies Split keys on historical organs between 1468 and 1721Het ORGEL 96 (2000), nr. 6, 20-26 [summary] Split keys offered a rather convenient way to exceed the limitations of restrictedtemperaments and tunings in keyboard instruments, since the essential...
Joop A. Klaassen, Jan-Piet Knijff Organ building after 2000 (IV)Het ORGEL 96 (2000), nr. 2, 35-36 [summary] In het ORGEL 1999/5, Wietse Meinardi criticised historicism inorgan building. In het ORGEL 1999/6, Hans Fidom, Sicco Steendam and Wim Winters reacted;in het...
Hans Fidom Historicism in the 21st centuryHet ORGEL 96 (2000), nr. 6, 14-19 [summary] The neworgan in Örgryte Nya Kyrka in Göteborg (Sweden), built in 17th-century North-Germanstyle, sounds very convincing. The discussions in het ORGEL show, on the otherhand, that...
Paul De Maeyer How to learn to improvise?Het ORGEL 96 (2000), nr. 3, 9-18 [summary] Many people are inhibited when it comes to opening their mind to others; they prefer toprotect themselves against from possible contempt. This is an important point for everyonewho...
Christa Hijink The Göteborg International Organ Academy 2000Het ORGEL 96 (2000), nr. 6, 5-13 [summary] On 4-18August, the Göteborg International Organ Academy took place: 36 lectures, 14 paneldiscussions, 53 workshops, many concerts and 1 great inauguration that of...
Stephen Taylor I hate music! But I like to sing…Het ORGEL 96 (2000), nr. 3, 5-8 [summary] In his song text I hate music! But I like to sing…, Leonard Bernstein makes fun ofthe way in which we become sidetracked from the essentials of music-making by...
Herman de Kler The history of organ music and the accompaniment of congregational singingHet ORGEL 96 (2000), nr. 4, 27-36 [summary] For centuries now the traditional gereformeerde(reformed) way of singing psalms and hymns has been described negatively....
Klaas Hoek Trivento and other organ-like instrumentsHet ORGEL 96 (2000), nr. 3, 19-25 [summary] In the 20th century, several organ-like new instrumentshave been developed. An early example is the telharmonium by Thaddeus Cahill, anelectrical instrument from 1906....
Wietse Meinardi, Peter van Dijk Organ building after 2000 (V)Het ORGEL 96 (2000), nr. 3, 32-40 [summary] In Het ORGEL 1999/5, Wietse Meinardi criticised historicism in organ building.In the next issues, Hans Fidom, Sicco Steendam, Wim Winters, Tjibbe Heidinga, Sietze...
Continuing discussion concerning the organ in the Aa-kerk in GroningenHet ORGEL 96 (2000), nr. 3, 26-31 [summary] On 17 December 1999 the city of Groningen decided to uphold permission to alter themain organ in the Aa-kerk in Groningen (Schnitger 1702, Timpe 1815 and...
Harald Schützeichel Albert Schweitzers perception of BachHet ORGEL 96 (2000), nr. 4, 7-14 [summary] Albert Schweitzer(1875-1965) was a student of Charles-Marie Widor. Widor was the first French organist toteach Bachs music to his students. He confessed to Schweitzer...
