ArticlesRené Verwer The organ in the concert hall (2). Emergence and use of the organ as an orchestral instrumentHet ORGEL 113 (2017), nr. 3, 3-11 [summary] In part 2 the author relates, among other things, what Hector Berlioz, Franz Liszt, and François-Joseph Fétis...
ArticlesLourens Stuifbergen The Quatre Chorals of Hendrik Andriessen. Part 1: Chorals I & IIHet ORGEL 113 (2017), nr. 3, 12-17 [summary] Between 1913 and 1921 Hendrik Andriessen (1892-1981) composed his Quatre Chorals for organ; almost a decade separates the last...
ArticlesOlga de Kort ‘Thanks to the organ, you’re much more involved with your inner self’ – Interview with Rubin AbdullinHet ORGEL 113 (2017), nr. 3, 18-21 [summary] The Russian organist Rubin Abdullin (*1950 in Tatarstan, Russia) is an excellent example of how...
ArticlesKees Doornhein The effects of organ sound on the organistHet ORGEL 113 (2017), nr. 3, 22-31 [summary] There is growing interest in specific organ-related sound research in the professional organ world. This research has already been used in organ restorations,...
ArticlesAuke H. Vlagsma The Niehoff organ from Sint-Jan’s church in Gouda. From renaissance organ to the empty cases in AbcoudeHet ORGEL 113 (2017), nr. 3, 32-41 [summary] Hendrik Niehoff and his son Nicolaes are among the most important Dutch organ builders of the...
ArticlesPeter Ouwerkerk Organ culture in ChinaHet ORGEL 113 (2017), nr. 3, 42-47 [summary] You meet a lot of surprises if you study China’s organ culture. One example: on the island of Gulangyu, on China’s south-eastern coast, part of the city of Xiamen, across from...
ArticlesRené Verwer The organ in the concert hall (1). Emergence and use of the organ as an orchestral instrumentHet ORGEL 113 (2017), nr. 2, 3-11 [summary] Who knows the ‘Festliches Praeludium für grosses Orchester und Orgel’ by Richard Strauss, the ‘Concerto Romano...
ArticlesLourens Stuifbergen Fête-Dieu per organo by Hendrik AndriessenHet ORGEL 113 (2017), nr. 2, 12-19 [summary] This year is the 125th birthday of Hendrik Andriessen and the 100th of Albert de Klerk. The Andriessen/De Klerk-Stichting (foundation) will present a...
ArticlesSietze de Vries From warehouse to museumHet ORGEL 113 (2017), nr. 2, 20-25 [summary] The Nationaal Orgelmuseum in Elburg celebrates its 40th birthday this year. Maarten Seijbel founded the organ museum in 1977 and kept on collecting energetically through the...
ArticlesAart van Beek The organ from Gapinge in the Nationaal Orgelmuseum in ElburgHet ORGEL 113 (2017), nr. 2, 26-32 [summary] The Nationaal Orgelmuseum in Elburg has a number of lovely cabinet organs. One of these, placed in the so-called Balkonzaal, is known as the...
ArticlesMartin Moree Piet Post – master in partitasHet ORGEL 113 (2017), nr. 2, 33-40 [summary] In recent years there has been more interest in organ music from 1940-1970, which can be called the last renewal period in chorale-based music. Several studies have...
ArticlesIbo Ortgies A portrait of Arp Schnitger?Het ORGEL 113 (2017), nr. 2, 41-47 [summary] In early 2017 the organ world was startled by the report that in Golzwarden, where Arp Schnitger was baptized, a portrait of this famous organ builder had been identified on a...
ArticlesTjeerd van der Ploeg English organ culture in the 19th centuryHet ORGEL 113 (2017), nr. 1, 24-35 [summary] The English organs that have been placed in The Netherlands are almost all instruments from the 19th century, the period in which the English organ in a...
ArticlesJan Smelik An English organ island in Groningen. Interview with Fokke-Rinke Feenstra & Luuk SikkemaHet ORGEL 113 (2017), nr. 1, 38-43 [summary] Most of the English instruments that have come to The Netherlands since 1985 have been placed by the firm of...
ArticlesHanna Rijken “Loud Organs, His Glory, Forth Tell in Deep Tone” – Anglican Choral Evensong in the Dutch contextHet ORGEL 113 (2017), nr. 1, 4-9 [summary] Choral evensong services are held in more and more places in the Netherlands. Dutch boys’ choirs or...
ArticlesLeonard Sanderman English organ building from now to thenHet ORGEL 113 (2017), nr. 1, 12-21 [summary] In the Netherlands the English organ now appears to be highly respected. One after the other, city churches acquire a larger or smaller English choir- or...
ArticlesJan Smelik Reger in “Het Orgel”; a contribution to the reception history of Max Reger in the NetherlandsHet ORGEL 112 (2016), nr. 6, 4-13 [summary] The first issue of Het Orgel appeared in March, 1886. Also in that month Max Reger celebrated his 13th birthday....
ArticlesCor van Wageningen ‘Meist liegt der Rhythmus in der Tiefe der kleineren Notenwerte’. {Usually the rhythm is found in the depth of the smaller note-values}. Tempo in Reger’s worksHet ORGEL 112 (2016), nr. 6, 14-21 [summary] Reger’s metronome indications and...
ArticlesErik Zuurbier Bach in just intonationHet ORGEL 112 (2016), nr. 6, 22-27 [summary] Many temperaments are available for organs. This article treats just intonation, but with many more than the customary 12 pitches per octave. For this, a different division of...
ArticlesFred van Lieburg Music & the history of religion; The Dutch Organists’ Association [Nederlandse organistenverenigingen] from 1890 to 2015Het ORGEL 112 (2016), nr. 6, 28-35 [summary] The Dutch Organists’ Association [Nederlandse organistenverenigingen] was...
![Music & the history of religion; The Dutch Organists’ Association [Nederlandse organistenverenigingen] from 1890 to 2015 by Fred van Lieburg](https://www.hetorgel.nl/wp-content/uploads/2016/11/n2016-06d-Lieburg-2.jpg)