Organ music in Nazi Germany by Jan Hage

Jan Hage Organ music in Nazi GermanyHetORGEL 104 (2008), nr. 4, 36-43 [summary] German church music of the 1930s can be viewed as practically usefulchurch music originating from a re-orientation toward the roots ofGerman culture, in which neo-classical ideals like...

Four organs in Dordrecht’s history by Auke Hendrik Vlagsma

Auke Hendrik Vlagsma Four organs in Dordrecht’s historyHet ORGEL 104 (2008), nr. 5, 4-15 [summary] The city of Dordrecht, from time immemorial a commercial city with international contacts, has a rich organ history involving native and foreign builders. The municipal...
Bach organs in Ansbach and Dordrecht by Henk Verhoef

Bach organs in Ansbach and Dordrecht by Henk Verhoef

Henk Verhoef Bach organs in Ansbach and DordrechtHet ORGEL 104 (2008), nr. 5, 22-37 [summary] In 2007 two organs were completed that make claim to the title ‘Bach organ’. In the St.-Gumbertuskirche in Ansbach (Germany) the firm of Reil from Heerde reconstructed the...

Organ culture is benefited by research in archives by Hans Beek

Hans Beek Organ culture is benefited by research in archivesHetORGEL 104 (2008), nr. 1, xx-xx [summary] In Germany – otherwise than in the Netherlands – many sacred archivesare not deposited with regional or state archives. And these archiveshave often not...
Messiaen’s organ at Ste.-Trinité, Paris by René Verwer

Messiaen’s organ at Ste.-Trinité, Paris by René Verwer

René Verwer Messiaen’s organ at Ste.-Trinité, ParisHet ORGEL 104 (2008), nr. 6, xx-xx [summary] In 1931 Olivier Messiaen (1908-1992) was appointed ‘organiste titulaire’ of the Cavaillé-Coll organ at Ste.-Trinité in Paris. From that time on he composed the greatest...

Olivier Messiaen and surrealism by Jan Hage

Jan Hage Olivier Messiaen and surrealismHet ORGEL 104 (2008), nr. 6, xx-xx [summary] In 1946 Ernest de Gengenbach called Messiaen a ‘surrealistic composer’, a characterization which the composer accepted. Although personally colored surrealism, as defined by De...
Paul Barras and his organ compositions by Marieke Stoel

Paul Barras and his organ compositions by Marieke Stoel

Marieke Stoel Paul Barras and his organ compositionsHetORGEL 104 (2008), nr. 2, 18-27 [summary] The blind Belgian organist Paul Barras (born in 1925) was taught byFlor Peeters at the Lemmens Institute in Mechelen and the KoninllijkeConservatorium at Antwerpen.  After...
Pastor J.H. Hulsken and his chorale book by Henny Wullink

Pastor J.H. Hulsken and his chorale book by Henny Wullink

Henny Wullink Pastor J.H. Hulsken and his chorale bookHetORGEL 104 (2008), nr. 3, 4-13 [summary] Congregational singing and accompaniment in the Netherlands were not ofgood quality in the nineteenth century.  J.H. Hulsken(1786-1876), pastor of the Hervormde Kerk in...

The organ works of Hugo Distler by Jan Raas

Jan Raas The organ works of Hugo DistlerHetORGEL 104 (2008), nr. 4, 12-17 [summary] A chronological overview of Distler’s organ works forms anaccurate mirror of his life, in which organ playing and church musicfaded more and more into the background as he, both in his...