Overlegatoby Reitze Smits | Het ORGEL | Year 118 | (2022) | Issue 1
Fantasia in G (BWV 572) afschrift van J.G. Walther (D-B Mus.ms. Bach P 801, Faszikel 5)
After a period in which, as heritage of the 19th century, legato playing was the norm, organists beginning around the 1980s adopted non-legato playing as the standard. Reconsidering this development gives occasion for some greater nuances, particularly because the consistent use of non-legato playing results in the same uniformity that was the goal in legato playing. In this article the author argues that by using over-legato in the right place and in the right amount, a more varied sound is created, that even has a dynamic effect. He illustrates this with examples from diverse organ works.