18/05/2017 | Common
ArticlesLourens Stuifbergen The Quatre Chorals of Hendrik Andriessen. Part 1: Chorals I & IIHet ORGEL 113 (2017), nr. 3, 12-17 [summary] Between 1913 and 1921 Hendrik Andriessen (1892-1981) composed his Quatre Chorals for organ; almost a decade separates the last...
18/05/2017 | Common
ArticlesRené Verwer The organ in the concert hall (2). Emergence and use of the organ as an orchestral instrumentHet ORGEL 113 (2017), nr. 3, 3-11 [summary] In part 2 the author relates, among other things, what Hector Berlioz, Franz Liszt, and François-Joseph Fétis...
18/05/2017 | Common
ArticlesOlga de Kort ‘Thanks to the organ, you’re much more involved with your inner self’ – Interview with Rubin AbdullinHet ORGEL 113 (2017), nr. 3, 18-21 [summary] The Russian organist Rubin Abdullin (*1950 in Tatarstan, Russia) is an excellent example of how...
18/05/2017 | Common
ArticlesKees Doornhein The effects of organ sound on the organistHet ORGEL 113 (2017), nr. 3, 22-31 [summary] There is growing interest in specific organ-related sound research in the professional organ world. This research has already been used in organ restorations,...
18/05/2017 | Common
ArticlesAuke H. Vlagsma The Niehoff organ from Sint-Jan’s church in Gouda. From renaissance organ to the empty cases in AbcoudeHet ORGEL 113 (2017), nr. 3, 32-41 [summary] Hendrik Niehoff and his son Nicolaes are among the most important Dutch organ builders of the...
18/05/2017 | Common
ArticlesPeter Ouwerkerk Organ culture in ChinaHet ORGEL 113 (2017), nr. 3, 42-47 [summary] You meet a lot of surprises if you study China’s organ culture. One example: on the island of Gulangyu, on China’s south-eastern coast, part of the city of Xiamen, across from...