10/09/2015 | Common
ArticlesVictor Timmer From Tammen to Worp: The first organists of the Schnitger organ in the Der Aa-kerk, Groningen, in the 19th century. Part 3: Willem Cammenga & Jan WorpHet ORGEL 111 (2015), nr. 5, 3-9 [summary] Summary part 1Summary part 2Their successors, the...
10/09/2015 | Common
ArticlesGerben Mourik Ten opinions about neo-baroque organsHet ORGEL 111 (2015), nr. 5, 10-13 [summary] Organs from the neo-baroque period now and then elicit intense reactions. The author has summarized these in ten opinions. Here are a few:1. Because of the...
10/09/2015 | Common
ArticlesGeerten van de Wetering Neo-baroque: versatility forgotten. Attention for the music of the OrgelbewegungHet ORGEL 111 (2015), nr. 5, xx-xx [summary] Three organ conferences in Germany in the 1920s marked the beginning of a renewal movement which soon got the...
10/09/2015 | Common
ArticlesGerben Mourik “…the new spirit is alive, but not yet clearly audible”. The search for useful neo-baroque chorale-based music for the church organist, 1930-1980Het ORGEL 111 (2015), nr. 5, 22-37 [summary] The 20th century experienced important changes in...
10/09/2015 | Common
ArticlesRogér van Dijk Ibach-orgel in de Broederenkerk te Deventer Deel 2: De restauratie door orgelmakers Gebr. van VulpenHet ORGEL 111 (2015), nr. 5, 38-37 [summary] Summary part 1A report compiled in 2002 was the start of a restoration project that was completed in...
10/09/2015 | Common
ArticlesPeter van Dijk & Jaap Jan Steensma The Ibach organ in Deventer – impressions & considerationsHet ORGEL 111 (2015), nr. 5, 48-51 [summary] : Between 2010 and 2014 in the Netherlands there were three restorations/reconstructions of German organs...